Wednesday, October 13th, 2010
Remember that time long, long ago when I started posting weekly linkspams? Y’know, that time before my already busy schedule leapt to new heights of insanity?
It may not be weekly, but it is linkspam.
Feminism & Women
- The good people at Overthinking It created this fantastic Female Character Flowchart that captures a whole lot of pop culture female character cliches in one fell swoop. It’s massive in both size and awesome.
- For the two hundredth and forty-second time, females and males have equal math skills before stereotyping. I don’t know how many more ways scientists can come up with to tell the rest of the world it isn’t that girls are bad at math, it’s that we keep telling and treating them as if they are bad at math.
- Do accusations of sexism spur greater awareness of sexist language? This study thinks so. I had a conversation with a couple of male friends about this not too long ago.
- Nice write up about what we’re really talking about when we measure pop culture with the Bechdel Test. It’s not about that women shouldn’t talk to or about men, it’s about how women presented in pop culture regularly only talk to or about men when they’re even there at all. It’s about the absence of women in our stories as anything other than romantic partners or two-dimensional tokens.
- Linked to from the above, Pixiepalace has won me over with her explanation of the Reverse Jane Austen Principle: “It is a truth universally acknowledged by the entertainment industry that a female character in possession of a name and a ringless left hand must be in want of a boyfriend.” I think this often comes from a belief by the entertainment industry that women won’t want to watch female characters that aren’t somehow involved/tangled in romance, as if it’s central to our enjoyment. This is one of several reasons I love Emily Prentiss and Elle Greenaway from Criminal Minds, two fine female characters without romantic subplots.
- Another great post from Overthinking It, this time about Fixing Season 5 of Doctor Who. It’s a long post that only the most dedicated meta readers are likely to finish, but it covers most of my problems with the plot and themes of the latest incarnation of Doctor Who. I’m not sure I necessarily agree with all the proposed fixes, but I do mostly agree with the general through-line here. Season Five of Who left me firmly in a “meh” space, and this post articulates some of the reasons why.